A mid-century modern residence on Idle Hour — opposing shed roofs, walls of glass to the pool, and covered porches blurring inside and out.
The front of the house. Two opposing shed roofs meet at a sharp peak; vertical wood cladding rises uninterrupted between them. A standing stone anchors the entry garden.
At the peak. Black metal coping caps the cladding cleanly — the roof reads as a single line.
A side passage between the house and the property line — concrete pavers floating in river stone.
The opposite wing seen from the pool deck. Limestone block cladding, a black linear sconce, the water just at frame edge.
Walls of glass dissolve the line between inside and out.
Looking down from the upper landing into the double-height entry. The stone column rises through both stories; reclaimed timber beams cross above.
The great room. A stacked-stone hearth wall climbs to clerestory windows above; exposed beams span the room.
The kitchen. Walnut cabinets, marble waterfall island, stainless hood — the back of the hearth wall closing the room beyond.
Floor-level. Wide-plank white-oak runs uninterrupted through the kitchen and into the spaces beyond.
The stair. Folded steel stringer, white-oak treads, blackened steel balusters — handrail and sconce in the same line.
Handrail mitre at the upper landing. Oak meets oak; the joint is the detail.
From inside, looking out — pool, spa, the iron fence at the property line, and beyond it, the fairway.
The pool composed against the silhouette of the house at midday.